*Larita Kutsarita - n. see THE AUTHOR
*Spoonfuls - n. articles/dispatches/scribbles by Larita Kutsarita
(Background photo by Aiess Alonso)

Friday, May 15, 2009

The Cinderella Man (semi-biography for ANC Storyline)

Everyone’s a sucker for a Cinderella story, especially here in the Philippines where underdogs such as Judai’s Esperanza and Thalia’s Marimar—now Marian Rivera’s, actually—are glorified in local pop culture. The following is an even more inspiring story about a “Cinderella Man” who rose from poverty, overcame its many miseries, and is now facing more challenges in the vast and dirty sea that is politics. What’s more inspiring about this story is that it is, more than anything else, real.


He’s the Man!


“Dati, nanlilimos pa ako diyan...literal na namamalimos....‘Di ko in-expect na diyan pala ‘ko mag-aaral,” he said, his eyes widening, clearly amazed at his own fate. He graduated cum laude from the College of Arts and Letters in the University of the Philippines Diliman, the same place where he, as a child, constantly kept his hands wide open, imploring for pesos; the same place where those hands gradually found refuge in the elaborate dance of ink on paper, and took hold of a diploma with a degree in Creative Writing and some units in Film—“...Kasi mahilig akong magsulat, parang gusto ko [ring] maglaro ng mga imahe.” His name is Dominic Flores, or rather, Honorable Dominic “Minick” Flores.
Minick, who is now 30, has been the youngest recorded barangay captain in the country. Apparently, somebody else broke the record but during his time, Minick was the baby, assuming the said position in Bgy. Pansol, Balara, Quezon City at 25 years old. As early as his elementary days, he was PRO of the barangayette. At 16, he was elected Sangguniang Kabataan (SK) Chairperson. And as a kid, he was too busy playing Chinese Garter and other “girl games” to even wonder why he didn’t prefer water guns in the first place. “...I’m an avowed gay. ‘Di naman ‘yan issue sa akin kaya I am loved by our constituents!” he said cheerfully.
“Loved by his constituents” was, in fact, not your usual “trapo” statement. Old men and women in the barangay all speak of nothing but praises for their young captain. Lolo Agapito Abrera, who already seemed to be in his 80s and an active member of the barangay’s Lupong Tagapamayapa, would even allude to Sonny Belmonte when he said, “Si Dominic ang pinakamagaling sa lahat...pati mayor ng QC, bilib sa kanya.... Kung ang iba ina-appoint lang ng presidente, siya hindi! Utak ‘yan e! Magaling siya magturo. Wala naman kame ditong alam e, pero sinasabi niya kung ano ‘yung dapat gawin.” In the Barangay Day Celebration last year, Lolo Agapito’s council won 2nd place as Best Barangay Lupong Tagapamayapa. Aside from this, Bgy. Pansol bagged 3rd in both divisions, Best in Solid Waste Management Practice as well as Best in Gender and Development Practice and Responsive Governance. They also came out 1st in Best Peace and Order Committee, making Minick’s domain the barangay with the most awards, four in total, among all the 142 barangays in the four districts of Quezon City. Minick himself has been cited as one of the most outstanding captains—all these before turning 30.
“Parang binigay talaga sa akin. I had no choice e,” he remarked on his being Bgy. Pansol’s “Kap,” having gained the title by law of succession. The previous barangay captain, Rodrigo Borgoña, was shot dead in broad daylight in front of the barangay hall in 2003. Up to this day, the case is still unresolved and Minick, who was then First Kagawad—the kagawad who had earned the most number of votes—had to take over. To Minick, it was “destiny.” Even his win as First Kagawad was not expected, either. He was absent during the last days of the campaign season because he was a delegate in Canada for World Youth Day. “Siguro nakita nila ‘yung mga nagawa ko as SK Chairperson,” he reflected. Now, Bgy. Pansol has a newly covered court, a new firetruck, a mortuary, a library and WiFi zones, a fitness gym, 24 speakers—as well as about 20 in two depressed areas each—installed in strategic locations to receive direct announcements from Kap including some words of wisdom called “Thought for the Week” which Minick would write himself, four special citations from the City Hall, and many projects and advocacies such as the enforcement of an anti-discrimination ordinance for gays and lesbians—the only known barangay to have one, in fact—all under the leadership of a “dark horse,” undaunted by the misfortune of his murdered predecessor.
Asked how it’s like to be a young politician, Minick said that it was working well not only for him but also for the barangay because the youth can always come up with new ideas. For example, he used to host a “mini-radio program” every Saturday noon transmitted through the speakers in the barangay. It was called DF, short for “Discussion Floor” and “Dominic Flores” at the same time. This was his medium through which he could give regular public addresses and discussions with experts on, say, prevention of fire, dengue, and what have you. The listeners could even ask questions through a phone line. Sadly, Minick could not sustain its weekly schedule because the barangay kept him too busy. If there is any significant edge for him, though, he said that it is his team’s resolve to have “professionalized the barangay services.” “...Kahit barangay governance, maliit siya, smallest political unit, but dapat leaders should put their hearts into what they’re doing. Kung ano ‘yung mandato ng batas, dapat sundin nila ‘yun. After all, sa grassroots naman talaga dapat magsimula kung gusto nating magbago ‘yung kabuuan ng bansa.... ‘Yang mga awards na ‘yan, bonus na lang ‘yan e. Mas gusto ko ‘yung nasusunod namin ang aming mission at vision...’yung pagiging gender-sensitive, ‘yung pagmamahal sa kalikasan.... Meron akong standard.... Hindi masama ‘yung mangopy ka sa ‘Best Practice.’ Nagvi-visit kami, nago-observe sa mga barangay na ‘Best Practice,’” he declared proudly.
On the other hand, when asked how it’s like to be a gay official, Minick replied, “Ang pagiging lider ay wala rin sa usaping gender...kung ano ‘yung magagawa mo for the community. And in the end, ikaw lang naman din ‘yun e. Sabi ko nga, mas naging advantage ko pa siya kasi yumayakap ako sa mga babae, sa mga nanay-nanay, nakakalapit ako sa mg lalake rin. I mean, ‘yun siguro ang edge ko: kahit kanino, kaya kong makisalamuha.” Heck, even the children in the locale know his name. And a huge percentage of his barangay staff are gay, too! One such staffer who is in charge of the barangay waste management, Joselito Merle, and who is already in his 40s, expressed his admiration for his captain who is a decade younger. “Super improve (sic) ‘yung baragay since napanganak ako dito. Hinayr niya ‘ko. Dati, walang trabaho, nag-aayos lang ng bulaklak. Ngayon, waste naman. Hindi lang siya mabuti, kundi saksakan ng buti tsaka saksakan ng galing! Walang pwedeng tumalo!” he exclaimed in his toothless grin.
Considering all the transformations that Bgy. Pansol has gone through under Minick’s supervision, the place has definitely benefited from that magical “Queer Eye for the Straight Guy” touch. And it looks like Bgy. Pansol can only get “prettier” because Minick is barely done with his first term—having finished the unexpired term of the late Borgoña—and the “makeover” may be carried out for the rest of the city as well since the young captain is more than willing to run for councilor if only he has the money. “Mahirap lang ako. ‘Yun siguro yung wala ako e. Kahit sabihin mong matatalino ang mga botante, you still need to have resources,” he said. He also revealed that there are parties encouraging him to run and promising him their aid. To this, he added, “Pero sa tingin ko naman ay kailangan pa ‘ko ng aking barangay. Nararamdaman ko, marami pa ‘kong magagawa.” Cheap talk? Not quite. Minick has since resigned from his teaching post in Miriam College Grade School and is now a full-time “Kapitana,” his only sideline being a graduate student in the UP National College of Public Administration and Governance (NCPAG).
Of course, going full-time does not mean that Minick only sees the world in rosy colors. “Sometimes, you’ll make unpopular decisions pero time will come na mare-realize nilang tama palang ginawa ni Kapitan.” Speaking of “unpopular decisions,” the interviewers also asked Minick about his stand on the President and on being part of her administration. “Unang una, nakatira sa’min si GMA. If she’s in Manila, she lives in Bgy. Pansol.... As a person, I like her. Kaya lang, syempre, nobody’s perfect pa rin. Kung for the welfare ng mga tao, syempre, dun ako. Pero kung may nasasaalang-alang, may nakukumpromiso, syempre, ‘yung kapakanan pa rin ng mga mahihirap [ang mas importante].” He further elaborated, “Oo, may reservations pa rin kasi we have two depressed areas so palagay ko, pwede niyang (GMA) ma-address ‘yun bilang siya ‘yung nakaupo—presidente natin siya...[and since] most of [those na] nakapalibot sa kanya, nakatira rin dito. Pero sa tingin ko naman, performer naman siya. Ganun naman lahat e, lahat ng nauupo diyan, [para sa’tin] walang nagagawang tama.” The interviewers then threw him the ultimate “trapo” question, “Will you run for president?” “Kung may pagkakataon, bakit hindi? Kaya lang wala lang talaga ‘kong pera,” he answered with a smile.
Devoting his time to the barangay, though, has not veered him away from those closest to his heart. Minick comes from a small family, which hugely contrasts with his political contemporaries who all come from big political clans. His immediate family, however, is quite large, he being the fourth in a brood of six. They all grew up without a father. “Umalis si Daddy, noon pa...hindi na siya bumalik hanggang sa nalaman naming namatay na siya nung Grade Four ako,” he related. This left their mother, Estrella, whose very name befits her being “ilaw ng tahanan” and who is fondly called by everyone Aling Estring, to raise all of them single-handedly. “Siguro, without scholarship, wala kami.... Nagkataon lang na may mga honors lang kami,” he added. Among the six siblings, four were high school valedictorians including Kap, two were salutatorians, and eventually, Minick and his younger sister, Diana Dulce, graduated cum laude from the Premier State University, UP. Meanwhile, their bunso, Starson—his name having been coined from their mother’s—has recently completed their list of graduates as he himself donned the toga and cap last Friday, May 8th. Minick was able to get through college because he was an Iskolar ng Siyudad, thanks to his excellent performance in secondary school. Aside from that, he also benefited from the UP Socialized Tuition and Financial Assistance Program (STFAP) and only paid P71 for his overall tuition fees up until his sister joined him in UP when he was already a junior, making the fees jump to P800 every semester.
Apart from the Flores siblings’ perseverance and competency in school, Minick puts emphasis on their mother’s sacrifices. When they were a lot younger, Aling Estring had to work as domestic helper in Hong Kong for about five to six years and because they could barely get by, all six of them were distributed among their aunts with whom they had bad experiences. “Syempre, nakikipinsan lang kami kaya parang ‘naalila’ kame,” he recounted without the least bit of resentment in his voice. There were even days when they were tasked to dispose of the accumulated urine outdoors as a kind of embarrassment. Aling Estring would send money from abroad but their aunts would keep it for themselves and not tell them about it. “Dumating sa point na nagugutom na kami,” he said. “E ang Nanay ko, kahit wala man kami materially—‘dapat busog ‘yung mga anak ko,’ yun ang katwiran niya. Kasi dati, walang wala talaga kami e.” When their family did get together, their house had holes that were big enough to cause a flood inside when it was raining. He’d remember, “Nagsasalok kami. Sabi ko, ‘Ma, hanggang kelan tayo ganito?’” One of Minick’s friends then asked why their TV wasn’t working to which Aling Estring would answer, “Kahit wala kaming TV, busog naman ang utak ng mga anak ko.” “‘Yun ‘yung hindi ko makakalimutan,” said Minick, his stare distant.
It is a small wonder how their relationship with their aunts is doing at present, though. Minick stresses that they are doing fine but that Aling Estring can’t be blamed if she still has any remaining grudges. “Syempre, nanay ‘yan e,” he said. This is the reason he and his siblings do not hesitate to nominate their mother for “Ulirang Ina” every chance they get. Kap showed the interviewers some photos from his childhood, including shots inside their home. It was, in fact, a plain kind of dwelling with only one piece of adornment: an entire wall decked by gold, red, blue, and white—all the trophies and medals that the Flores siblings had brought home for Nanay.
“Nagsikap ako. ‘Yung edukasyon, importante.... Siguro ‘yun ang dahilan kung bakit ako love ng barangay ko kasi syempre, gusto rin naman nilang ang kapitan nila ay totoong magre-represent sa kanila.... Kaya kong makipag-usap sa mga matataas at kaya ko ring bumaba sa masa,” he said. Education is their mother’s most important legacy, which is why Minick himself struggled to send his siblings to school. “Tatlo ‘yung kapatid kong napag-aral ko kasi dalaga naman ako,” he shared, afterwhich he let out a good laugh.
This brought the limelight on his personal romantic life. Unfortunately, just last year, he and his partner—a man with wife and kids—had to break up after sharing a ten-year relationship in secret. Minick found out that he had affairs with two other women and this broke his heart. When the interviewer asked him if he preferred that such intimate details be off the record, he answered, “E bakeeettttt??!” before he let out another guffaw. “Pero kumekembot pa rin ako....dalagang maraming manliligaw.” And some more laughter.
“Queer Eye for the Straight Guy with more heart”—this seems to be the best description of Hon. Dominic Flores’ leadership. No fancy suits, no fancy cars. No gambling lords for bestfriends. No political clans with special interests. And definitely no mistresses. Minick’s Cinderella story is a whiff of fresh air. And if he does turn out to be just “the man” the country needs, then perhaps the Filipinos won’t mind if Malacañang will be painted a bright shade of pink for that “happily ever after.”
(Interview by Kristin Santos and Lara Mendizabal; Text by Lara Mendizabal)


That Day's Fab Five (Kap is at center)


Saturday, May 2, 2009

A Brush with the Maestro


Perhaps the best known, the most highly regarded, the most widely and popularly acclaimed, the most widely recognized Filipino painter living, here or abroad, certainly the most senior, the most esteemed, the most highly respected, surely the painter who has been the most richly rewarded for his efforts, that is, in terms of sales, prizes, awards, signal honors and distinctions, the painter who has been generally regarded as the dean of his fellows, the painter that Success has singled out for her own, the painter looked up to as master by succeeding generations of painters is Fernando Amorsolo,” I feverishly (and rather illegibly) scribble down on my notebook.
The paragraph above was quoted from this tattered, browning news article which was already too ancient and damaged for me to be able to see what publication it was printed in. It is now comfortably framed and housed by the Vargas Museum, specifically in the second floor, where some of the textual records on the first National Artist in Painting are on display. The rather verbose introduction of the article was written by Francisco Arcellana, who happens to be a National Artist in Literature himself. This relic particularly caught my interest as the article was about Amorsolo’s first one-man show in the National Museum on November 6, 1968. What kind of god was he during his prime that he deserved such an introduction in which Arcellana could’ve easily written all the words of flattery in the English lexicon to describe him, in which leaving out one good adjective would’ve seemed abominable? His close ties with the high-flying society that included the likes of Jorge Vargas and Enrique Zobel de Ayala (who would, according to the information presented by the museum, even grant him a scholarship in Escuela de San Fernando in Madrid, Spain) only stress on the celebrity that he already enjoyed those days. And this was once a little boy from Paco who dabbled with his uncle’s (Fabian de la Rosa, also a painter) paint, perhaps not dreaming that he would, in a few years, be “the painter that Success has singled out for her own.”
The Maestro’s skill with the use of backlight in his works could be his most important contribution to Philippine painting. In almost all of his pieces, there’s always this glow that outlines his figures, giving them a more recognizable shape. It might be the very cause behind the life-like appearances of all his subjects. Everything does seem like a captured moment, a moment frozen by the hands of a master, with his oil, on his canvas, outliving the very creator himself. And I so declare this as I, a dweller of the 21st century, behold the kind of art that only a classical genius could deliver. From lush nudes to beautiful landscapes, from historical paintings of the war to idyllic genre paintings of bountiful harvests, from portraits of important people to portraits of unnamed secretaries or dalagitas, Amorsolo’s versatility is beyond amazing. And yet, despite all these executions of a myriad of themes, he still managed to bring that all too familiar “Amorsolo touch” to all his works: his love affair with sunlight. Perhaps there are a few that do not attest to this, like “Fishing at Night” (1942, oil on woodboard) for instance, which is my personal favorite. It depicts a man hardly visible because of the murky background, which, at first, strikes one as being so “un-Amorsolo.” But one later notices that the moon in fact, although not deliberately drawn, has its reflection cast on the riverbank (or seashore, I’m not exactly sure). So in a way, Amorsolo still played with light even in this very dark piece of his that it doesn’t exactly mean anything malevolent as perhaps suggested by its overwhelming darkness. It is JUST, after all, a man “fishing at night.” This is another characteristic of Amorsolo’s works: his easy portrayals of the Filipino life. Probing deeper into a certain painting is unnecessary, almost pointless actually, just to be able to get the whole picture, which can already be achieved even at first glance. With his trademark imitation of light and exploitation of colors (the museum guide shared that Amorsolo never worked on a palette but directly mixed layers upon layers of hues on the canvas), he produced his most popular series of genre paintings that mostly remind us of the more beautiful Philippine setting. They illustrated that he wasn’t keen on showing ugliness. Sorrow and struggle were apparently not his cup of tea. Dr. Rod Paras-Perez would affirm this in Amorsolo Drawings: “Thus for him was as it was for the classical masters—man must be presented not how he is but how he ought to be.”
I was given a firsthand glimpse of not only his artistic gift but also of his frame of mind. I can, therefore, safely say that Amorsolo was quite the idealist. It is then no wonder that Francisco Arcellana wouldn’t mind writing him a 100-word introduction. With the Maestro’s dreamy view of the world, sun-kissed rendering of the traditional Pinoy, he did not only live a most colorful life literally and metaphorically, but also gave us, even several generations later, a colorful peek at the ideal Philippines.
Fruit Pickers under the Mango Tree, 1937, Oil on Canvas
Palay Maiden (1920) - Oil on canvas
Lavendera. 1957. Oil on canvas.
Self-portrait, 1942